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API Automated Process Inc.

Born in 1968. Best known for their now legendary "2520 amplifier", this unique amp has been and will continue to be the heart of all API discrete products. It continues to provide reliability and sonic purity unmatched by the competition. The resulting console met the needs of the music, commercial and broadcast industry.
API became the leading audio broadcast console manufacturer for radio and television networks and high profile stations. In addition, recording studios, large and small, began using API.....and receiving rave reviews from engineers and producers. There are over 700 API consoles across the nation and around the world, including the three major networks. Over thirty years later, many of these consoles are still in daily use in some of the most prestigious recording and broadcast facilities in the world because, to date, there are few, if any consoles of equal sound quality at a cost-effective price.

Rackmount

The legendary 19" rackmount systems for mixing, mastering, recording.
 

2500 Stereo Compressor

Features:
  • API 2520 op-amp
  • Variable threshold between -20 and +10
  • Selectable Ratio, Attack and Release times
  • Patented "Thrust" high-pass filter before RMS detector
  • Variable link between left and right channels
  • Old "feed back" or new "feed forward" compression
  • Soft, Medium or Hard Knee for easy to sharp compression
  • Auto or manual gain make up
  • 1/4" balanced side chain inputs
  • Output clips at +30 dBm
The API 2500 is a versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix. The 19" rack mountable unit features ATI's patented "thrust" circuit for a chest-hitting, punchy bottom end. With its dual channel design, the API 2500 is set up for stereo compression, but can also be used as two separate units via a single compression setting. The 2500 boasts a range of parameters that make it incredibly musical.
 

3124+

Features
  • Uses API 2520 Op-Amp
  • Classic Console Circuit
  • Four XLR Mic Inputs
  • Four 1/4" Un-Balanced Inputs
  • Front Panel Polarity Switch
  • Front Panel 20 dB PadSwitch
  • Front Panel Mic/Line Switch
  • Front Panel 48V Power Switch
  • Output Clips at +30 dBm
The 3124+ is designed with the professional engineer in mind, giving the highest possible quality 4 channel mic preamp, while keeping the size and price at a reasonable level. Equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the artist's disposal for the source of his music.

The model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles. It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers. All four mic inputs of the 3124+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel. Also provided is a front panel 20 dB pad switch that effects both the Mic and Line in.

The model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices. The rear output is an XLR connector.
 

5500 Dual EQ's with Range Switch

Features:

  • Classic 550B Equalizer Design
  • 2 Range Switches Individually Alter Gain Steps
  • Useable as a 550B, 550D or 550M
  • Peak/Shelf Switch on HI & Lo bands
  • True Hardwire Bypass
  • Balanced IN and OUT on XLR
  • Unbalanced Input on 1/4"
  • EQ In/Out Switch
The lineage of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc. The 550 was designed as a console equalizer which, due to the architecture of the recording console, uses an unbalanced input. Because the ergonomics of a console dictate that the controls take up little space, sometimes the number of included functions can be limited. The 5500 is specifically designed to address these limitations. It has a balanced input, a true straight-wire bypass, an integrated power supply with noiseless muting, and a range control that expands it versatility to mastering applications.
 

7600 Channel Strip

Features:
  • Complete API input strip with bussing
  • API 2520 Op-Amp
  • API 212L Mic Preamp, 225L Compressor
  • Re-issue of the famed 550A EQ
  • Four Aux sends, Pre or Post fader assignable
  • Four busses
  • Stereo bus with internal rotary fader
  • Solo, SIP, Mute, Insert, Polarity, and Compressor Link
  • Complete patching facilities on rear panel
  • External fader jack
  • Three 7 segment LED VU displays
  • Output clips at +30 dBm
The API 7600 Input Module offers studios of all sizes a whole new range of options without sacrificing quality. The 7600 strip forms the basis of a build-as-you-need-it, high quality recording console. It is the perfect choice for project studios who want high performance console sound, but have limited channel needs or budget constraints, and professional studios that want to add more channels to their existing desk through the addition of a side car.
 

7800 Master Module

Features
  • Uses API 2520 Op-Amp
  • Complete API Master Control Room Module
  • Includes Solo Master, Talk Back, Send Masters, Bus Masters, Stereo Master, and Control Room Master
  • Links several 7600 Input Modules
  • Full Featured Control Room Section with 2-Track Monitoring and Large/Small Speaker Control
  • All Inputs and Outputs on Rear Panel
  • VU Meter Amplifiers for External Metering
  • Perfect for Pro-Tools type Work Station Monitoring
  • Output Clips at +30 dBm
API 7800 Rack Mounted Master Control Module is the final stage in the line of 7600 Input Modules linked together in a console configuration. The new API 7800 fits into one rack space unit. It includes summing amps for the echo sends, busses and stereo mix bus when linked up with the 7600 input module. The 7800 is available in either a Vertical or Horizontal configuration, depending on the custom needs of the user.
 

8200 Mix Module

Features:
  • 8 Inputs
  • 2 Aux Sends
  • Level Control
  • Pan
  • Solo
  • Mute
  • Insert
  • D-sub Interface
The 8200 8 Channel Line Mixer allows you to mix with genuine API circuitry. It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration. The 8200 provides 8 inputs in one rack space and features a level control, a Panner and 2 Aux sends per channel. Each channel has a balanced input and conveniently switchable insert, Mute and Solo switches, making this the perfect mixer for any line level application. Requires a 7800 Master Controller.
 

8MX2

Features:
  • 8/2/8 Mixer
  • 8 Line Level Multi-Track Returns
  • 8 into 2 Mix Bus with Pan
  • 10 Segment input/mix LED meter
  • 10 Segment gain reduction meter
  • Headphone and speaker monitor out
  • 8 channels in 1u rack space
  • Link multiple units
Each channel includes:
  • 48v Hi-voltage MicPre
  • Threshold Limiter
  • Direct Out
  • Selectable 48v Phantom Power
The 8MX2 rack mount preamp/mixer is perfect for remote recording, live broadcast feeds, studio "sidecar" inputs, and all critical digital recording formats.
 

A2D Dual 312 Mic Preamps with digital output

Features:
  • A pair of signature 312 mic preamps
  • API 2520 op amps
  • 20 Segment LED metering on both Analog and Digital sections
  • Mic and Line inputs
  • Polarity, Phantom power, Input pad, 2:1, and Mic/Line switches
  • 6 sample rate choices
  • External Super Clock Input
  • Multiple A2D units can be slaved together
  • Insert point provided between Analog and Digital sections